Both a gift and a curse, Graham has the extraordinary ability to think like his prey—he sees what they see, feels what they feel. But while Graham is pursuing an especially troubling, cannibalistic murderer, Special Agent Jack Crawford teams him with a highly respected psychiatrist – a man with a taste for the criminal minded – Dr. Hannibal Lecter.

After having successfully eluded the authorities for years, Hannibal peacefully lives in Italy in disguise as an art scholar. Trouble strikes again when he's discovered leaving a deserving few dead in the process. He returns to America to make contact with now disgraced Agent Clarice Starling, who is suffering the wrath of a malicious FBI rival as well as the media.

Filmed over the course of 28 days in August 2012, Hannibal Takes Edinburgh follows Buress as the then up-and-coming comedian performed nightly to packed houses at the Edinburgh Festival Fringe, the largest art and comedy festival in the world. The film blends extended moments from Buress’ pin-sharp observational stand-up with scenes of the comedian waxing philosophic on building his comedy routine, life on the road for a comedian and immersing himself in the Scottish culture.

Filmed over the course of 28 days in August 2012, Hannibal Takes Edinburgh follows Buress as the then up-and-coming comedian performed nightly to packed houses at the Edinburgh Festival Fringe, the largest art and comedy festival in the world. The film blends extended moments from Buress’ pin-sharp observational stand-up with scenes of the comedian waxing philosophic on building his comedy routine, life on the road for a comedian and immersing himself in the Scottish culture.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.